Short Stories

You Are Still Allowed Your Dreams in Short Story, Long

A Note to Say Hello, I’m Here in The Rumpus

Pictures of a Woman You Never Knew in Baltimore Review

The Boy in the TV in Invisible City (Wigleaf Top 50 Longlist)

Girl-Shaped in Vast Chasm

There are two kinds of transformation in HOAX

Camp for Sad Girls in Alien Magazine

About Lee (About You) in Maudlin House

Book of the Wolf in DIAGRAM

City Wolf in Catapult

The Actress Would Like Everyone to Know She Is Perfectly Fine in Litro

The Comedian’s Wife in Monkeybicycle (Best of the Net Nominee)

Deaths of the Actor in Fractured Lit

The Following in Midnight Breakfast

Celestial Mechanics in Bodega (Pushcart Prize Nominee)

The Disappearance Kit in Vol. 1 Brooklyn

New Release in Cheap Pop

Sorority in Wigleaf

Portrait of a Marriage as an Episode of “House Hunters” in Flash Flood

Lessons in Object Permanence in Matchbook (Wigleaf Top 50 Longlist)

The Remnant in Third Point Press

Autopsy Report, Surrogate, & Compatibility Report in Takahē (Best Microfiction 2021)

Have You Seen Jenny? in Split Lip

Loop in Anomaly

A Brief Outline of Your Sister’s Disappearance in Sundog

Ex in HAD/Hobart (Wigleaf Top 50 Longlist)

Abduction in Gone Lawn

Notes on a Departure in Necessary Fiction

Notes for the Actress in Fugue (2019 Prose Contest Finalist)

True Crime: An Examination in Requited

The Wolf in Dream Pop

Detective Story in Vestal Review (Best Microfiction & Best Small Fictions Nominee)

Type Three in Firewords

Have the Girls Gone Wild? in Flash Fiction Magazine

The Outlaw’s Daughter in Linden Avenue (Best of the Net Nominee)

Places We Weren’t in Cosmonauts Avenue

Essays/Hybrid

Pick Your Genre: Processing Heartbreak in The Night House in Bright Wall/Dark Room (Featured in Memoir Land)

The Descent: A Search History in Bright Wall/Dark Room (Featured in Memoir Land)

A Song Is a Room Off the Hallway of Your Life in March Danceness

The Car Was Also a Time Machine in The Memory Vending Machine

Searching for Heather Donahue in Bright Wall/Dark Room (Featured in Memoir Land)

Can’t Remember to Forget You: Memento in Twenty Fragments in Bright Wall/Dark Room

See Tom Run in How to Write a Novel: An Anthology of 20 Craft Essays About Writing, None of Which Ever Mention Writing

Nineteen: A Discography in Gordon Square Review

A Recommendation of “Landslide” in Memoir Mixtapes

Selected Google Searches Regarding Kiyoshi Kurosawa’s Pulse in Trampset (Best of the Net Nominee)

Selected Google Searches Regarding Peter Jackson’s King Kong in Paranoid Tree (Best Microfiction 2023, Best of the Net Nominee, Pushcart Prize Nominee)

Unfinished: Notes on Angela Carter & Not Writing in Autofocus

 

Interviews & Reviews

Sofia Samatar on Friendship Between Writers, Her Love/Hate Relationship with Genre, the Tyranny of Identity, and Her New Book, Opacities: On Writing and the Writing Life in Write or Die

Stacey D’Erasmo on Perseverance, Writing Anonymously, Not Denying Yourself the Pleasure of Making Art, and Her New Book, The Long Run in Write or Die

Marin Kosut on Manifestos, Why America Hates Artists, Banning Success From Her Vocabulary, and Her New Book, Art Monster in Write or Die

Richard Scott Larson on Halloween as a Coming-Out Story, Horror as Comfort, the Queer Canon, and His Debut Memoir, The Long Hallway in Write or Die

“I have to go behind my back to get anything done”: A Conversation with Jackie Wang in The Rumpus

Michael Wheaton on Nostalgia, Fame in the Age of the Internet, Writing as Montage, and His Nonfiction Debut Home Movies in Write or Die

“The Mermaid Has to Die”: An Interview with Julia Langbein in Electric Lit

How Do We Reckon with the Art of Problematic Artists? An Interview with Claire Dederer in Electric Lit

Art as Privilege: An Interview with Chelsea Martin in Chicago Review of Books

Shooting at Nothing: An Interview with Ander Monson in Cleveland Review of Books

Regimented Bodies: An Interview with Barbara Bourland in The Millions

A Post-MeToo Novel About the False Promise of Female Empowerment: An Interview with Isabel Kaplan in Electric Lit

Abigail Stewart on the Early Days of the Internet, Artist Romances, Finding Contentment, and Her New Novella, The Drowned Woman in Write or Die

“At a certain point, you have to let the story go”: An Interview with Deirdre Danklin in Longleaf Review

Night Rooms: A Review in The Rupture